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Henri Matisse Art Prints

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30 Items
1
Interior with a Dog, 1934 Fine Art Print
Interior with a Dog, 1934
28" x 28"
 
Price: $69.99
The Open Window, Collioure, 1905 Fine Art Print
The Open Window, Collioure, 1905
20" x 24"
 
Price: $41.99
Panel with Mask, 1947 Fine Art Print
Panel with Mask, 1947
20" x 40"
 
Price: $62.99
Goldfish Fine Art Print
Goldfish
13" x 19"
 
Price: $27.99
Interior with a Dog, 1934 Fine Art Print
Interior with a Dog, 1934
14" x 11"
 
Price: $22.99
The Codomas, 1947 Fine Art Print
The Codomas, 1947
36" x 24"
 
Price: $69.99
Interior with a Violin Case Fine Art Print
Interior with a Violin Case
11" x 14"
 
Price: $22.99
Basket with Oranges Fine Art Print
Basket with Oranges
11" x 14"
 
Price: $22.99
Lagoon, 1947 Fine Art Print
Lagoon, 1947
14" x 11"
 
Price: $22.99
Large Red Interior, 1948 Fine Art Print
Large Red Interior, 1948
11" x 14"
 
Price: $22.99
The Red Studio, 1911 Fine Art Print
The Red Studio, 1911
14" x 11"
 
Price: $22.99
The Codomas, 1947 Fine Art Print
The Codomas, 1947
14" x 11"
 
Price: $22.99
Female Head, 1930-32 Fine Art Print
Female Head, 1930-32
11" x 14"
 
Price: $22.99
Lagoon, 1947 A Fine Art Print
Lagoon, 1947 A
14" x 11"
 
Price: $22.99
Lagoon, 1947 B Fine Art Print
Lagoon, 1947 B
14" x 11"
 
Price: $22.99
Dance Fine Art Print
Dance
36" x 28"
 
Price: $38.99
Dance Fine Art Print
Dance
14" x 11"
 
Price: $22.99
Female Head, 1930-32 Fine Art Print
Female Head, 1930-32
20" x 24"
 
Price: $41.99
The Yellow Dress, 1929-31 Fine Art Print
The Yellow Dress, 1929-31
11" x 14"
 
Price: $22.99
French Window at Collioure, 1914 Fine Art Print
French Window at Collioure, 1914
11" x 14"
 
Price: $22.99
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30 Items
1
Henri-Émile-Benoît Matisse (31 December 1869 – 3 November 1954) was born in the year the Cutty Sark was launched, and died the year the first hydrogen bomb exploded at Bikini Atoll. Not only did he live on, literally, from one world into another; he lived through some of the most traumatic political events in recorded history, the worst wars, the greatest slaughters, the most demented rivalries of ideology, without, it seems, turning a hair. Matisse never made a didactic painting or signed a manifesto, and there is scarcely one reference to a political event - let alone an expression of political opinion - to be found anywhere in his writings. He certainly suffered from fear and loathing like the rest of us, but there is no trace of them in his work. His studio was a world within the world: a place of equilibrium that, for sixty continuous years, produced images of comfort, refuge, and balanced satisfaction. Nowhere in Matisse's work does one feel a trace of the alienation and conflict which modernism, the mirror of our century, has so often reflected.
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