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Jacques-Louis David Louis David - Le sacre de l'Empereur Napoleon




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It was probably the need for clarity and order that impelled David - as in The Tennis Court Oath - to adopt a horizontal composition rather than an axial view or a view from above. His success is dazzling. The arrangement is spacious and perfectly balanced. He provides some space in the foreground, which he fills with the large green velvet rug dotted with the imperial bees. He lowers the group of dignitaries on the right to avoid having the composision look as if it were poised on an artificial stage. While, in reality, the figures could only have been distributed equally on either side of the axis of the nave, we see how bold and felicitous his choice was - he sweeps the static line of subjects slightly upward in a supple, almost gentle movement, that seems to place the major characters on an oblique plane without imparting to them an eminence that might seem artificial. There is something like an ascending movement, starting slowly on the left, more pronounced on the steps to the altar, and soaring upward on the right toward the large crucifix and the candles without, however, giving the religous elements of the scene any preeminence over the Emperor and Empress. These figures remain the focal points and are sufficiently distanced from each other so that our attention fixes on each in turn. He leaves two-thirds of the space in his canvas free; the galleries can be glimpsed through the archways. The sumptuous decorations of the interior of the cathedral, faithfully reproduced, add to the solemnity of the spectacle. For the colors, David borrowed certain formulas from Rubens and Veronese, but the tones are characteriscally his: the whites, reds, golds, and blacks dominate, but the colors are still sober and they serve, above all, to enhance the natural brilliance of the materials: velvets and golds, damasks and satins, ermines and plumes. The light is golden with a honeyed hue; it is luminous and soft, warm and sacred. It reighns supreme over the scene with, as almost the only dark element, the broad, oblique band of shadow cast from the upper left portion of the canvas and extendin in the direction of the Emperor.
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Art Prints

All of our prints are produced on a quality paper and either supplied by one of the world’s leading art publishers or printed in our own in-house facilities. Most prints are on a thick (120 pound or higher) stock of paper and printed using a lithographic or serigraphic printing process.

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Laminated Art Prints

Laminating your print or poster is an inexpensive and easy way to protect it from fading, dirt and finger prints. Both sides of the poster are laminated for maximum protection.

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Canvas Brushstrokes

Brushstrokes can be applied to your canvas using a clear acrylic gel that adds additional texture to the canvas, helping to recreate the feel of the original painting. For most canvas pieces, regular brushstrokes will look most natural and true to the original, but heavy brushstrokes are also available to add more texture if desired.

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Museum Wrapped Canvas Art

With the museum wrap method, the image goes to the edge of the surface with plain white canvas exposed on the sides. This shows well with any image and can be hung on your wall with the sides left white, or the sides can be painted with one of our 18 custom colors to match or complement the colors of the piece.

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Gallery Wrapped Canvas Art

With the gallery wrap method, the image wraps around the edge, and continues back toward the wall. The art wraps around the sides of the canvas creating a gallery style look. This canvas treatment is ideal for seamless designs, abstract images, or imagery that has a central focus.

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Framed Canvas

Framing a canvas is the best of both worlds. You can still see the texture of the canvas as well as embellishing the sides with your choice of high quality frames. The canvas itself gets a museum wrapped treatment in order to allow for the widest assortment of frames. A framed canvas' finished thickness is dependent on the depth of the frame that you choose.

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Framed Art

All of our framing is done in-house by expert craftsman. We use quality moldings from the industry’s leading suppliers and custom frame each piece when your order is placed.

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Mats for Custom Framing

We offer a wide selection of vibrant colors for our pH neutral mats and allow you to choose from various mat widths, depending on the size of your print. The option to choose one, two or three mats for your print allows you to further customize the look of your finished piece.

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Glazing Options

To finished your framed piece, we offer both glass and plexi-glass options, depending on the size of your print. Our standard options in both glass and plexi-glass are our most budget friendly way to protect your prints. We also offer non-glare options to greatly reduce reflection and glare from lights and for 99% UV protection and amazing clarity, choose our Museum Glass option.

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