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The Lee Shore, 1941
32" x 24" Fine Art Print
+ Multiple Sizes
Price: $308.99
The Lee Shore, 1941
44" x 32" Fine Art Print
+ Multiple Sizes
Price: $565.99
Gas, 1940
19" x 15" Fine Art Print
Price: $162.99
Early Sunday Morning, 1930
20" x 15" Fine Art Print
Price: $167.99
Automat, 1927
17" x 15" Fine Art Print
Price: $156.99
House by the Railroad, 1925
18" x 17" Fine Art Print
Price: $166.99
Automat, 1927
28" x 24" Fine Art Print
Price: $286.99
Western Motel, 1957
38" x 26" Fine Art Print
Price: $366.99
Portrait of Orleans, 1950
39" x 28" Fine Art Print
Price: $510.99
Rooms by the Sea
18" x 15" Fine Art Print
Price: $159.99
Western Motel, 1957
20" x 16" Fine Art Print
Price: $170.99
Hill and Houses, Cape Elizabeth, Maine, 1927
18" x 15" Fine Art Print
Price: $161.99
Hill and Houses, Cape Elizabeth, Maine, 1927
30" x 23" Fine Art Print
Price: $291.99
Nighthawks, 1942
44" x 28" Fine Art Print
Price: $517.99
Lighthouse and Buildings, Portland Head, Cape Elizabeth, Maine, 1927
18" x 15" Fine Art Print
Price: $161.99
Room in Brooklyn, 1932
27" x 24" Fine Art Print
+ Multiple Sizes
Price: $281.99
Portrait of Orleans, 1950
21" x 16" Fine Art Print
Price: $173.99
Night on the El Train, 1918
16" x 16" Fine Art Print
Price: $157.99
Lighthouse Village (also known as Cape Elizabeth), 1929
19" x 15" Fine Art Print
Price: $163.99
Lighthouse Village (also known as Cape Elizabeth), 1929
32" x 24" Fine Art Print
Price: $310.99
Night on the El Train, 1918
23" x 22" Fine Art Print
Price: $256.99
My Roof 1928
43" x 32" Fine Art Print
+ Multiple Sizes
Price: $566.99
Marshall's House, 1932
19" x 15" Fine Art Print
Price: $163.99
Marshall's House, 1932
38" x 28" Fine Art Print
Price: $506.99
Methodist Church Tower, 1930
15" x 17" Fine Art Print
Price: $156.99
Methodist Church Tower, 1930
30" x 36" Fine Art Print
Price: $508.99
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For all his realism, Hopper was essentially a poet,'' writes Goodrich, and this sumptuous album, a reissue of an out-of-print 1970 monograph, is an incomparable guide to understanding that poetry. Hopper (1882-1967) gravitated to painting lunch counters, nudes in hotel rooms, lighthouses, gas stations, rooftops--underappreciated, nakedly honest figurations of America's heartland. A prophet of loneliness, this laconic individualist captured the anarchy of American cities, the quiet melancholy of small towns and suburbs. Paradoxically, his pictures have a restorative, bracing effect--perhaps, as is suggested here, because of Hopper's emotional attachment to his native environment. The late Goodrich was director of the Whitney Museum in New York and a friend of the artist, whose own comments are interspersed with a refreshingly readable text and more than 200 full-page plates