Sort By:
The Lee Shore, 1941
30" x 22" Fine Art Print
+ Multiple Sizes
Price: $263.99
The Lee Shore, 1941
45" x 33" Fine Art Print
+ Multiple Sizes
Price: $514.99
Gas, 1940
18" x 13" Fine Art Print
Price: $143.99
Early Sunday Morning, 1930
19" x 14" Fine Art Print
Price: $148.99
Automat, 1927
16" x 14" Fine Art Print
Price: $139.99
House by the Railroad, 1925
17" x 15" Fine Art Print
Price: $148.99
Automat, 1927
27" x 23" Fine Art Print
Price: $242.99
Western Motel, 1957
37" x 25" Fine Art Print
Price: $329.99
Portrait of Orleans, 1950
40" x 28" Fine Art Print
Price: $461.99
Rooms by the Sea
17" x 14" Fine Art Print
Price: $140.99
Western Motel, 1957
19" x 14" Fine Art Print
Price: $151.99
Hill and Houses, Cape Elizabeth, Maine, 1927
17" x 14" Fine Art Print
Price: $143.99
Hill and Houses, Cape Elizabeth, Maine, 1927
29" x 22" Fine Art Print
Price: $247.99
Nighthawks, 1942
44" x 28" Fine Art Print
Price: $467.99
Lighthouse and Buildings, Portland Head, Cape Elizabeth, Maine, 1927
17" x 14" Fine Art Print
Price: $143.99
Room in Brooklyn, 1932
26" x 23" Fine Art Print
+ Multiple Sizes
Price: $237.99
Portrait of Orleans, 1950
19" x 15" Fine Art Print
Price: $154.99
Night on the El Train, 1918
15" x 15" Fine Art Print
Price: $139.99
Lighthouse Village (also known as Cape Elizabeth), 1929
18" x 14" Fine Art Print
Price: $145.99
Lighthouse Village (also known as Cape Elizabeth), 1929
31" x 22" Fine Art Print
Price: $264.99
Night on the El Train, 1918
22" x 21" Fine Art Print
Price: $214.99
My Roof 1928
43" x 33" Fine Art Print
+ Multiple Sizes
Price: $515.99
Marshall's House, 1932
18" x 14" Fine Art Print
Price: $145.99
Marshall's House, 1932
38" x 28" Fine Art Print
Price: $457.99
Methodist Church Tower, 1930
14" x 16" Fine Art Print
Price: $139.99
Methodist Church Tower, 1930
30" x 36" Fine Art Print
Price: $459.99
Sort By:
For all his realism, Hopper was essentially a poet,'' writes Goodrich, and this sumptuous album, a reissue of an out-of-print 1970 monograph, is an incomparable guide to understanding that poetry. Hopper (1882-1967) gravitated to painting lunch counters, nudes in hotel rooms, lighthouses, gas stations, rooftops--underappreciated, nakedly honest figurations of America's heartland. A prophet of loneliness, this laconic individualist captured the anarchy of American cities, the quiet melancholy of small towns and suburbs. Paradoxically, his pictures have a restorative, bracing effect--perhaps, as is suggested here, because of Hopper's emotional attachment to his native environment. The late Goodrich was director of the Whitney Museum in New York and a friend of the artist, whose own comments are interspersed with a refreshingly readable text and more than 200 full-page plates