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Salvador Dali
Salvador Dali Bio Pic "Every morning when I wake up, I experience an exquisite joy - the joy of being Salvador Dalí - and I ask myself in rapture, ‘What wonderful things this Salvador Dalí is going to accomplish today?’” Already a legend in his own lifetime, Salvador Domingo Felipe Jacinto Dalí i Domènech, 1st Marquis of Púbol, (11 May 1904 – 23 January 1989) joined the surrealists in Paris in 1928, and became one of their most vehement exponents. The veristic painting of his dreams was stimulated by psychoanalysis. He combined with fantastic ease the realistic material world with morbid and pathological alienation. He placed objects and shapes in new, surrealistic relationships. He often included the themes of older masters in his works, or created the so-called "double paintings," in which a human being was composed of objects. A leader of surrealism, his precise style enhanced the nightmare effect of his paintings. In 1940 Dalí emigrated to the United States, where he wrote “The Secret Life of Salvador Dalí,” (1942). He also made surrealist ventures in films (e.g., Luis Bunuel's “Un Chien Andalou,” Walt Disney’s “Destino” and Alfred Hichcock’s “Spellbound”), advertising, and the ballet. Dalí loved spectacular self-presentations, with which he could both amuse and shock. This sometimes irked those who loved his art as much as it annoyed his critics, since his eccentric manner sometimes drew more public attention than his artwork. He was one of the 20th century's most prolific artists, producing well over 2000 finished works in his lifetime, right up to his death in 1989. The Salvador Dalí Museum in St. Petersburg, Florida, is devoted entirely to his works. "At the age of six I wanted to be a cook. At seven I wanted to be Napoleon. And my ambition has been growing steadily ever since."
 
 
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Person at the Window, c.1925
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The Sacrament of the Last Supper, c.1955
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Ballerine et Tete de Mort, c.1939
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Les Elephants, c.1948
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The Sacrament of the Last Supper, c.1955
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The Ghost of Vermeer of Delft Which Can Be Used As a Table, c.1934
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Christ of St. John of the Cross, c.1951
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The Metamorphosis of Narcissus, c.1937
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Illumined Pleasures, c.1929
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Millet's Architectonic Angelus, c.1935
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Person at the Window, c.1925
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Apparition of the Face of Aphrodite of Knidos, c.1981
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Crucifixion, c.1954
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Female Figure with Head of Flowers, c.1937
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Swans Reflecting Elephants
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The Persistence of Memory, c.1931
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Dream Caused by the Flight of a Bee Around a Pomegranate, A Second Before Awakening
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Les Elephants, c.1948
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Paysage aux Papillons, c.1956
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The Metamorphosis of Narcissus, c.1937
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Meditative Rose, c.1958 (mural)
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The Persistence Of Memory, c.1931
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Cinquenta... Tigre Real, c.1963
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The Endless Enigma, c.1938
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