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The Pont-Royal and the Pavillon de Flore, 1903
25" x 22" Fine Art Print
+ Multiple Sizes
Price: $201.99
Hillside of Vesinet, Yvelines, 1871
28" x 20" Fine Art Print
+ Multiple Sizes
Price: $204.99
Effet de Neige a Montfoucault, 1882
25" x 22" Fine Art Print
+ Multiple Sizes
Price: $201.99
The Vegetable Garden with Trees in Blossom, Spring, Pontoise, 1877
26" x 22" Fine Art Print
+ Multiple Sizes
Price: $230.99
The Banks of the Oise, near Pontoise, Cloudy Weather, 1878
25" x 22" Fine Art Print
+ Multiple Sizes
Price: $205.99
Entrance to the Village of Voisins, Yvelines, 1872
26" x 22" Fine Art Print
+ Multiple Sizes
Price: $203.99
The road to Louveciennes at the edge of the wood, 1871
26" x 22" Fine Art Print
+ Multiple Sizes
Price: $202.99
Boulevard Montmartre, Spring, 1897
26" x 22" Fine Art Print
+ Multiple Sizes
Price: $230.99
Morning Sun, Autumn, Eragny, 1897
25" x 22" Fine Art Print
+ Multiple Sizes
Price: $204.99
Orchard at Pontoise, 1878
25" x 22" Fine Art Print
+ Multiple Sizes
Price: $200.99
The Church and Farm of Eragny, 1895
26" x 22" Fine Art Print
+ Multiple Sizes
Price: $202.99
L'Hermitage at Pontoise, c. 1867
17" x 14" Fine Art Print
Price: $147.99
The Avenue de L'Opera, Paris, Sunlight, Winter Morning, c.1880
27" x 22" Fine Art Print
+ Multiple Sizes
Price: $208.99
Vegetable Garden at the Hermitage, Pontoise, 1879
25" x 22" Fine Art Print
+ Multiple Sizes
Price: $201.99
The Wheelbarrow, Orchard, c.1881
26" x 22" Fine Art Print
+ Multiple Sizes
Price: $203.99
The Louvre, 1902
25" x 22" Fine Art Print
+ Multiple Sizes
Price: $201.99
The Outer Harbour at Dieppe, 1902
25" x 22" Fine Art Print
+ Multiple Sizes
Price: $201.99
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Camille Pissarro was born in the Dutch West Indies to a Jewish father and a Creole mother. Despite the insistence of his father, Pissarro refused to make his career in commerce and left for Paris in 1855 where he entered the Academy Suisse. Initially, he was trained in a conservative style, but by the early 1870s, rejected this training and joined the Impressionist painters.
Of all the Impressionists, Pissarro was unique in his avoidance of river and seascapes, choosing instead to re-create the beauty of the land and cityscape, both structure and activity. He had the ability, like Monet, to capture a specific scene at a particular moment.
In 1885, Pissarro joined the Divisionists, adopting a loosely pointillistic technique. He soon abandoned this technique, however, and returned to Impressionistic ideas.