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The Artist Painting his Wife
26" x 24" Fine Art Print
+ Multiple Sizes
Price: $257.99
Tiger in a Tropical Storm
28" x 24" Fine Art Print
+ Multiple Sizes
Price: $266.99
Self Portrait
24" x 28" Fine Art Print
+ Multiple Sizes
Price: $289.99
Cliffs, c.1897
30" x 19" Fine Art Print
+ Multiple Sizes
Price: $211.99
Wooded Landscape with a Faggot Gatherer
28" x 24" Fine Art Print
+ Multiple Sizes
Price: $264.99
War
30" x 21" Fine Art Print
+ Multiple Sizes
Price: $255.99
Self portrait - close
24" x 29" Fine Art Print
+ Multiple Sizes
Price: $270.99
The Sleeping Gypsy, 1897
32" x 24" Fine Art Print
+ Multiple Sizes
Price: $307.99
Exotic Landscape, 1910
28" x 24" Fine Art Print
+ Multiple Sizes
Price: $264.99
The Sleeping Gypsy, c.1897
17" x 14" Fine Art Print
Price: $152.99
View of the Bridge at Sevres and the Hills at Clamart
27" x 24" Fine Art Print
+ Multiple Sizes
Price: $262.99
In the Wood at Fontainebleau
30" x 21" Fine Art Print
+ Multiple Sizes
Price: $256.99
The Edge of the Forest at Fontainebleau
30" x 23" Fine Art Print
+ Multiple Sizes
Price: $271.99
Quay at Ivry
26" x 24" Fine Art Print
+ Multiple Sizes
Price: $257.99
The Walk in the Forest
24" x 27" Fine Art Print
+ Multiple Sizes
Price: $258.99
Portrait of Pierre Loti
24" x 28" Fine Art Print
+ Multiple Sizes
Price: $262.99
Portrait of a Woman, 1895
22" x 30" Fine Art Print
+ Multiple Sizes
Price: $264.99
Landscape with a Fisherman
30" x 22" Fine Art Print
+ Multiple Sizes
Price: $262.99
The girl with a doll
24" x 29" Fine Art Print
+ Multiple Sizes
Price: $270.99
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Henri Rousseau is best known for his lush jungle scenes, often painted with figures relaxing in peaceful poses. He was a self taught artist who began painting in 1880 after a twenty-year career as a customs officer. While attempting to seek recognition for his work, he was rejected by the Salon in 1885, but was accepted the following year by the jury-free Societe des Artistes Independants.
Rousseau's art has generally been considered avant-garde, although there is evidence of the Neo-Classicist influence in his precise definition of forms and the smooth finish to his paintings. Knowing little about linear or atmospheric perspective, he laid the elements in his scenes across the picture surface, suggesting space by a succession of planes stacked one on top of the other up the canvas, so that forms on the horizon were as crisply defined as those nearby.
His paintings were very tautly organized in two-dimensional terms, and his simplification and stylized renderings struck a chord with vanguard painters who rejected naturalistic depictions, first with Gauguin and his circle, and later with Picasso and his friends. Today his widely appealing work can be seen in major museum collections around the world.