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The Poplars
26" x 22" Fine Art Print
+ Multiple Sizes
Price: $197.99
The Large Pine, 1895-97
26" x 22" Fine Art Print
+ Multiple Sizes
Price: $198.99
Flowers in a Vase, 1886
18" x 16" Fine Art Print
+ Multiple Sizes
Price: $137.99
The Bridge at Maincy
26" x 22" Fine Art Print
+ Multiple Sizes
Price: $196.99
The Brook
21" x 18" Fine Art Print
Price: $150.99
Landscape in Auvers
20" x 18" Fine Art Print
+ Multiple Sizes
Price: $154.99
Still life with basket
27" x 23" Fine Art Print
+ Multiple Sizes
Price: $203.99
Montagne Sainte-Victoire C
28" x 21" Fine Art Print
+ Multiple Sizes
Price: $200.99
The Card Players 1890-95
25" x 22" Fine Art Print
+ Multiple Sizes
Price: $194.99
Mill on the River, 1900
28" x 20" Fine Art Print
+ Multiple Sizes
Price: $197.99
View of Mount Marseilleveyre and the Isle of Maire
26" x 22" Fine Art Print
+ Multiple Sizes
Price: $195.99
Jas de Bouffan, the pool, c.1876
26" x 22" Fine Art Print
+ Multiple Sizes
Price: $194.99
Mont Sainte-Victoire with Large Pine Tree
21" x 17" Fine Art Print
+ Multiple Sizes
Price: $156.99
Still Life with Milk Jug and Fruit
20" x 18" Fine Art Print
+ Multiple Sizes
Price: $153.99
Les Pots de Fleurs
21" x 18" Fine Art Print
+ Multiple Sizes
Price: $157.99
Chateau Noir
16" x 14" Fine Art Print
+ Multiple Sizes
Price: $125.99
The Plate of Apples, c. 1897
15" x 14" Fine Art Print
Price: $127.99
Hillside in Provence
26" x 22" Fine Art Print
+ Multiple Sizes
Price: $197.99
The Banks of the Marne at Creteil, c.1888
27" x 22" Fine Art Print
+ Multiple Sizes
Price: $199.99
Auvers-sur-Oise, seen from the Val Harme
27" x 22" Fine Art Print
+ Multiple Sizes
Price: $199.99
Sous-bois
26" x 22" Fine Art Print
+ Multiple Sizes
Price: $197.99
Green Apples
25" x 22" Fine Art Print
+ Multiple Sizes
Price: $193.99
View of the Domaine Saint-Joseph, late 1880s
26" x 22" Fine Art Print
+ Multiple Sizes
Price: $196.99
Maison Au Toit Rouge
21" x 18" Fine Art Print
+ Multiple Sizes
Price: $156.99
Bridge Over Ther Marne at Creteil
21" x 18" Fine Art Print
+ Multiple Sizes
Price: $157.99
View of L'Estaque Through the Trees
18" x 16" Fine Art Print
+ Multiple Sizes
Price: $137.99
Glass and Fruit Flask
16" x 14" Fine Art Print
+ Multiple Sizes
Price: $122.99
Annecy Lake, 1896
16" x 14" Fine Art Print
+ Multiple Sizes
Price: $125.99
Still Life with Apples
26" x 22" Fine Art Print
+ Multiple Sizes
Price: $199.99
The Sea at l'Estaque, 1878
26" x 22" Fine Art Print
+ Multiple Sizes
Price: $199.99
L'Estaque, View of the Bay of Marseilles
26" x 22" Fine Art Print
+ Multiple Sizes
Price: $197.99
Still life with Apples, c.1890
28" x 22" Fine Art Print
+ Multiple Sizes
Price: $204.99
Turn in the Road, c. 1881
16" x 14" Fine Art Print
Price: $129.99
Viaduct at Estaque
26" x 22" Fine Art Print
+ Multiple Sizes
Price: $195.99
Houses Along a Road, c.1881
26" x 22" Fine Art Print
+ Multiple Sizes
Price: $195.99
Still Life with Pitcher and Fruit
22" x 16" Fine Art Print
+ Multiple Sizes
Price: $151.99
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Regarded by many as the first truly modern artist, Paul Cézanne, (19 January 1839 – 22 October 1906) transformed the ideals of 19th century painting and influenced the aesthetic development of many 20th century artists and art movements, especially Cubism.
Born in Aix-en-Provence to wealthy parents, he befriended the novelist Emile Zola as a schoolboy. In 1861, against the wishes of his father, he followed Zola to Paris to become a painter and met Camille Pissarro and others of the Impressionist group. He remained an outsider to their circle because his earliest works, which exhibition committees consistently rejected, were Expressionistic. In the early 1870s he experimented with Impressionism, then later delved into Classicism, with more balanced and formal compositions. Toward the end of his life he was at his most daring, reducing architecture and figures to geometric forms and paving the way for Cubism.
Cézanne was an artist's artist, and his restrained pictures are impersonal and remote - much like his personality. His art, misunderstood and discredited by the public during most of his life, eventually challenged all the conventional values of painting in the 19th century through his insistence on personal expression and on the integrity of the painting itself.