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Waterlily Pond, 1908 (detail I)
28" x 28" Fine Art Print
+ Multiple Sizes
Price: $71.99
Vetheuil, 1901
27" x 20" Fine Art Print
+ Multiple Sizes
Price: $23.99
Nympheas, 1908
21" x 28" Fine Art Print
+ Multiple Sizes
Price: $26.99
Spring at Giverny
27" x 20" Fine Art Print
+ Multiple Sizes
Price: $25.99
Water Lilies, c.1916
28" x 28" Fine Art Print
Price: $50.99
Waterlily Pond: The Bridge
27" x 20" Fine Art Print
+ Multiple Sizes
Price: $25.99
Waterlily Pond, 1908 (detail II)
28" x 28" Fine Art Print
+ Multiple Sizes
Price: $71.99
White Nenuphars, 1899
27" x 20" Fine Art Print
+ Multiple Sizes
Price: $23.99
Printemps a Giverny, 1903
27" x 20" Fine Art Print
+ Multiple Sizes
Price: $55.99
The Rose Path at Giverny, 1920-22
21" x 28" Fine Art Print
+ Multiple Sizes
Price: $25.99
The Rose Path
27" x 20" Fine Art Print
+ Multiple Sizes
Price: $25.99
Weeping Willow green
27" x 20" Fine Art Print
+ Multiple Sizes
Price: $23.99
Etang aux Nympheas
26" x 28" Fine Art Print
+ Multiple Sizes
Price: $68.99
Waterlilies at Giverny
27" x 28" Fine Art Print
+ Multiple Sizes
Price: $69.99
The Turkeys at the Chateau de Rottembourg, Montgeron, 1877
21" x 28" Fine Art Print
+ Multiple Sizes
Price: $26.99
Bennecourt, 1885
27" x 20" Fine Art Print
+ Multiple Sizes
Price: $25.99
Waterlily Pond, 1899
29" x 28" Fine Art Print
+ Multiple Sizes
Price: $46.99
Houses of Parliament
28" x 28" Fine Art Print
+ Multiple Sizes
Price: $71.99
The Turkeys at the Chateau de Rottembourg, Montgeron, 1877
28" x 28" Fine Art Print
+ Multiple Sizes
Price: $34.99
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With the first public viewing of a single painting "Impression, Sunrise" in 1874, Claude Oscar Monet, (14 November 1840 – 5 December 1926) established the entire art genre of the Impressionist Movement. Opposed to the hitherto applied methods of studio painting, Monet, (and the group which saw him as its intellectual leader) sought their themes outside, into the field, painting directly from nature, and developed a brilliant style of painting in natural light. Resisting all obstacles, Monet went on to develop the method further, exploring it to the limits. He created several series' of paintings, in which, using a technique of placing spots of unmixed colour next to each other on the canvas, he painted the exact same subject (a cathedral, haystacks, lilly-pond etc.) many times over, from different angles to capture the effects of sunlight at every time of day and throughout every season.