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The Artist's Garden at Giverny, c.1900 (detail)
8" x 8" Fine Art Print
+ Multiple Sizes
Price: $71.99
The Rose Path
16" x 16" Fine Art Print
+ Multiple Sizes
Price: $141.99
Houses of Parliament
12" x 12" Fine Art Print
+ Multiple Sizes
Price: $108.99
Nympheas at Giverny, 1918
16" x 16" Fine Art Print
+ Multiple Sizes
Price: $130.99
Etang aux Nympheas
25" x 25" Fine Art Print
+ Multiple Sizes
Price: $247.99
Spring at Giverny
16" x 16" Fine Art Print
+ Multiple Sizes
Price: $139.99
The Rose Path at Giverny, 1920-22
16" x 16" Fine Art Print
+ Multiple Sizes
Price: $142.99
Weeping Willow green
16" x 16" Fine Art Print
+ Multiple Sizes
Price: $139.99
White Waterlilies, 1899
16" x 16" Fine Art Print
+ Multiple Sizes
Price: $158.99
Morning on the Seine, near Giverny, 1896
16" x 16" Fine Art Print
+ Multiple Sizes
Price: $133.99
Vetheuil, 1901
16" x 16" Fine Art Print
+ Multiple Sizes
Price: $142.99
White Nenuphars, 1899
16" x 16" Fine Art Print
+ Multiple Sizes
Price: $142.99
The Turkeys at the Chateau de Rottembourg, Montgeron, 1877
16" x 16" Fine Art Print
+ Multiple Sizes
Price: $138.99
Bennecourt, 1885
16" x 16" Fine Art Print
+ Multiple Sizes
Price: $138.99
Blue Nympheas
16" x 16" Fine Art Print
+ Multiple Sizes
Price: $137.99
Waterlilies at Midday, 1918
16" x 16" Fine Art Print
+ Multiple Sizes
Price: $143.99
Jewelry lilies
12" x 12" Fine Art Print
+ Multiple Sizes
Price: $108.99
The Turkeys at the Chateau de Rottembourg, Montgeron, 1877
24" x 24" Fine Art Print
+ Multiple Sizes
Price: $219.99
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With the first public viewing of a single painting "Impression, Sunrise" in 1874, Claude Oscar Monet, (14 November 1840 – 5 December 1926) established the entire art genre of the Impressionist Movement. Opposed to the hitherto applied methods of studio painting, Monet, (and the group which saw him as its intellectual leader) sought their themes outside, into the field, painting directly from nature, and developed a brilliant style of painting in natural light. Resisting all obstacles, Monet went on to develop the method further, exploring it to the limits. He created several series' of paintings, in which, using a technique of placing spots of unmixed colour next to each other on the canvas, he painted the exact same subject (a cathedral, haystacks, lilly-pond etc.) many times over, from different angles to capture the effects of sunlight at every time of day and throughout every season.