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Fisherman's Cottage
35" x 28" Fine Art Print
+ Multiple Sizes
Price: $375.99
Chemin Dans Les Bles A Pourville
27" x 22" Fine Art Print
+ Multiple Sizes
Price: $236.99
Vertheuil Sur Seine
48" x 32" Fine Art Print
+ Multiple Sizes
Price: $721.99
Corn Poppies
32" x 27" Fine Art Print
+ Multiple Sizes
Price: $287.99
Wheatfield, 1881
33" x 28" Fine Art Print
Price: $369.99
The Thames below Westminster, 1871
30" x 22" Fine Art Print
+ Multiple Sizes
Price: $225.99
The Artist's Garden in Argenteuil (A Corner of the Garden with Dahlias), c.1873
18" x 15" Fine Art Print
Price: $151.99
Resting under the Lilacs
18" x 15" Fine Art Print
+ Multiple Sizes
Price: $151.99
Field of Poppies, Vetheuil
27" x 23" Fine Art Print
+ Multiple Sizes
Price: $237.99
Springtime
32" x 26" Fine Art Print
+ Multiple Sizes
Price: $285.99
Madame Monet on a Garden Bench
29" x 24" Fine Art Print
+ Multiple Sizes
Price: $228.99
Springtime
17" x 15" Fine Art Print
+ Multiple Sizes
Price: $145.99
The Artist's Garden at Giverny, c.1900 (detail)
34" x 31" Fine Art Print
+ Multiple Sizes
Price: $391.99
Sea Coast at Trouville
18" x 15" Fine Art Print
Price: $152.99
The Cliff, Etretat, Sunset, 1883
18" x 15" Fine Art Print
Price: $152.99
Beach at Trouville, c.1870
17" x 15" Fine Art Print
+ Multiple Sizes
Price: $147.99
On the Cliffs near Dieppe, Sunset, 1897
30" x 22" Fine Art Print
+ Multiple Sizes
Price: $226.99
Blanche Hoschede (1864-1947) Painting, 1892
28" x 24" Fine Art Print
+ Multiple Sizes
Price: $224.99
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With the first public viewing of a single painting "Impression, Sunrise" in 1874, Claude Oscar Monet, (14 November 1840 – 5 December 1926) established the entire art genre of the Impressionist Movement. Opposed to the hitherto applied methods of studio painting, Monet, (and the group which saw him as its intellectual leader) sought their themes outside, into the field, painting directly from nature, and developed a brilliant style of painting in natural light. Resisting all obstacles, Monet went on to develop the method further, exploring it to the limits. He created several series' of paintings, in which, using a technique of placing spots of unmixed colour next to each other on the canvas, he painted the exact same subject (a cathedral, haystacks, lilly-pond etc.) many times over, from different angles to capture the effects of sunlight at every time of day and throughout every season.