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Traditional Claude Monet Wall Art

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Purple Irises, 1914-17 Fine Art Print
Purple Irises, 1914-17
18" x 24"
+ Multiple Sizes
Price: $19.99
Jardin a Giverny Fine Art Print
Jardin a Giverny
16" x 20"
+ Multiple Sizes
Price: $36.99
A Pathway in Monet's Garden at Giverny, c.1902 Fine Art Print
A Pathway in Monet's Garden at Giverny, c.1902
25" x 29"
+ Multiple Sizes
Price: $64.99
Spring Flowers, 1864 Fine Art Print
Spring Flowers, 1864
18" x 24"
+ Multiple Sizes
Price: $19.99
The Artist's Garden at Vetheuil with Boy, c.1880 Fine Art Print
The Artist's Garden at Vetheuil with Boy, c.1880
10" x 12"
+ Multiple Sizes
Price: $17.99
Man with an Umbrella, c.1868-69 Fine Art Print
Man with an Umbrella, c.1868-69
18" x 24"
+ Multiple Sizes
Price: $18.99
Groom in a top hat, 1857 Fine Art Print
Groom in a top hat, 1857
18" x 24"
+ Multiple Sizes
Price: $18.99
Die Kokotte', 1875 Fine Art Print
Die Kokotte', 1875
18" x 24"
+ Multiple Sizes
Price: $18.99
Suzanne (1869-99) Fine Art Print
Suzanne (1869-99)
18" x 24"
+ Multiple Sizes
Price: $18.99
Michel Monet (1878-1966) as a Baby, 1878-79 Fine Art Print
Michel Monet (1878-1966) as a Baby, 1878-79
18" x 24"
+ Multiple Sizes
Price: $18.99
Woman with Parasol turned to the Left, 1886 Fine Art Print
Woman with Parasol turned to the Left, 1886
15" x 20"
+ Multiple Sizes
Price: $34.99
Women in the Garden, 1867 Fine Art Print
Women in the Garden, 1867
36" x 48"
+ Multiple Sizes
Price: $63.99
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12 Items
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With the first public viewing of a single painting "Impression, Sunrise" in 1874, Claude Oscar Monet, (14 November 1840 – 5 December 1926) established the entire art genre of the Impressionist Movement. Opposed to the hitherto applied methods of studio painting, Monet, (and the group which saw him as its intellectual leader) sought their themes outside, into the field, painting directly from nature, and developed a brilliant style of painting in natural light. Resisting all obstacles, Monet went on to develop the method further, exploring it to the limits. He created several series' of paintings, in which, using a technique of placing spots of unmixed colour next to each other on the canvas, he painted the exact same subject (a cathedral, haystacks, lilly-pond etc.) many times over, from different angles to capture the effects of sunlight at every time of day and throughout every season.
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