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Water Lilies, c.1916
34" x 34" Fine Art Print
Price: $393.99
The Thames below Westminster, 1871
30" x 22" Fine Art Print
+ Multiple Sizes
Price: $225.99
Jardin a Giverny
24" x 28" Fine Art Print
+ Multiple Sizes
Price: $246.99
The Artist's Garden in Argenteuil (A Corner of the Garden with Dahlias), c.1873
18" x 15" Fine Art Print
Price: $151.99
Springtime
32" x 26" Fine Art Print
+ Multiple Sizes
Price: $285.99
Springtime
17" x 15" Fine Art Print
+ Multiple Sizes
Price: $145.99
The Artist's Garden at Giverny, c.1900 (detail)
34" x 31" Fine Art Print
+ Multiple Sizes
Price: $391.99
The Cliff, Etretat, Sunset, 1883
18" x 15" Fine Art Print
Price: $152.99
On the Cliffs near Dieppe, Sunset, 1897
30" x 22" Fine Art Print
+ Multiple Sizes
Price: $226.99
Die Kokotte', 1875
22" x 30" Fine Art Print
+ Multiple Sizes
Price: $226.99
Suzanne (1869-99)
23" x 30" Fine Art Print
+ Multiple Sizes
Price: $230.99
Woman with Parasol turned to the Left, 1886
20" x 26" Fine Art Print
+ Multiple Sizes
Price: $218.99
Purple Irises, 1914-17
19" x 30" Fine Art Print
+ Multiple Sizes
Price: $199.99
Resting under the Lilacs
18" x 15" Fine Art Print
+ Multiple Sizes
Price: $151.99
Sea Coast at Trouville
18" x 15" Fine Art Print
Price: $152.99
Beach at Trouville, c.1870
17" x 15" Fine Art Print
+ Multiple Sizes
Price: $147.99
Man with an Umbrella, c.1868-69
21" x 30" Fine Art Print
+ Multiple Sizes
Price: $217.99
Michel Monet (1878-1966) as a Baby, 1878-79
24" x 28" Fine Art Print
+ Multiple Sizes
Price: $224.99
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With the first public viewing of a single painting "Impression, Sunrise" in 1874, Claude Oscar Monet, (14 November 1840 – 5 December 1926) established the entire art genre of the Impressionist Movement. Opposed to the hitherto applied methods of studio painting, Monet, (and the group which saw him as its intellectual leader) sought their themes outside, into the field, painting directly from nature, and developed a brilliant style of painting in natural light. Resisting all obstacles, Monet went on to develop the method further, exploring it to the limits. He created several series' of paintings, in which, using a technique of placing spots of unmixed colour next to each other on the canvas, he painted the exact same subject (a cathedral, haystacks, lilly-pond etc.) many times over, from different angles to capture the effects of sunlight at every time of day and throughout every season.