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Camille Pissarro Wall Art

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13 Items
1
The Seine and the Louvre, 1903 Fine Art Print
The Seine and the Louvre, 1903
24" x 18"
+ Multiple Sizes
Price: $23.99
The Cote des Boeufs at L'Hermitage, Pontoise, 1877 Fine Art Print
The Cote des Boeufs at L'Hermitage, Pontoise, 1877
18" x 24"
+ Multiple Sizes
Price: $23.99
Autumn morning at Eragny, 1897 Fine Art Print
Autumn morning at Eragny, 1897
24" x 18"
+ Multiple Sizes
Price: $23.99
The Pont-Royal and the Pavillon de Flore, 1903 Fine Art Print
The Pont-Royal and the Pavillon de Flore, 1903
24" x 18"
+ Multiple Sizes
Price: $23.99
The Gleaners, 1889 Fine Art Print
The Gleaners, 1889
24" x 18"
+ Multiple Sizes
Price: $23.99
Landscape with Cottage Roofs, 1899 Fine Art Print
Landscape with Cottage Roofs, 1899
24" x 18"
+ Multiple Sizes
Price: $23.99
The Harvest, 1883 Fine Art Print
The Harvest, 1883
24" x 18"
+ Multiple Sizes
Price: $23.99
Female Nude seen from the Back, 1895 Fine Art Print
Female Nude seen from the Back, 1895
18" x 24"
+ Multiple Sizes
Price: $23.99
The Vegetable Garden, 1878 Fine Art Print
The Vegetable Garden, 1878
18" x 24"
+ Multiple Sizes
Price: $23.99
Orchard at Pontoise, 1878 Fine Art Print
Orchard at Pontoise, 1878
24" x 18"
+ Multiple Sizes
Price: $23.99
Women Planting Peasticks, 1891 Fine Art Print
Women Planting Peasticks, 1891
18" x 24"
+ Multiple Sizes
Price: $23.99
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13 Items
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Camille Pissarro was born in the Dutch West Indies to a Jewish father and a Creole mother. Despite the insistence of his father, Pissarro refused to make his career in commerce and left for Paris in 1855 where he entered the Academy Suisse. Initially, he was trained in a conservative style, but by the early 1870s, rejected this training and joined the Impressionist painters. Of all the Impressionists, Pissarro was unique in his avoidance of river and seascapes, choosing instead to re-create the beauty of the land and cityscape, both structure and activity. He had the ability, like Monet, to capture a specific scene at a particular moment. In 1885, Pissarro joined the Divisionists, adopting a loosely pointillistic technique. He soon abandoned this technique, however, and returned to Impressionistic ideas.
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