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Pierre-Auguste Renoir Wall Art

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17 Items
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The road near Cagnes, 1905 Fine Art Print
The road near Cagnes, 1905
24" x 18"
+ Multiple Sizes
Price: $23.99
Luncheon of the Boating Party, c.1881 Fine Art Print
Luncheon of the Boating Party, c.1881
21" x 16"
+ Multiple Sizes
Price: $42.99
Bathing on the Seine Fine Art Print
Bathing on the Seine
24" x 18"
+ Multiple Sizes
Price: $23.99
The Esterel Mountains Fine Art Print
The Esterel Mountains
23" x 20"
+ Multiple Sizes
Price: $52.99
Le Moulin de la Galette a Montmartre Fine Art Print
Le Moulin de la Galette a Montmartre
20" x 16"
+ Multiple Sizes
Price: $43.99
Chestnut Tree in Bloom Fine Art Print
Chestnut Tree in Bloom
20" x 16"
+ Multiple Sizes
Price: $41.99
The Lesson, 1906 Fine Art Print
The Lesson, 1906
24" x 18"
+ Multiple Sizes
Price: $23.99
The Road to Essoyes, 1901 Fine Art Print
The Road to Essoyes, 1901
24" x 18"
+ Multiple Sizes
Price: $23.99
Spring at Chatou Fine Art Print
Spring at Chatou
24" x 18"
+ Multiple Sizes
Price: $23.99
Barges on the Seine, c.1869 Fine Art Print
Barges on the Seine, c.1869
24" x 18"
+ Multiple Sizes
Price: $23.99
Luncheon of the Boating Party, c.1881 Fine Art Print
Luncheon of the Boating Party, c.1881
20" x 16"
+ Multiple Sizes
Price: $41.99
Garden Scene in Brittany, c. 1886 Fine Art Print
Garden Scene in Brittany, c. 1886
20" x 16"
+ Multiple Sizes
Price: $41.99
Oarsmen at Chatou Fine Art Print
Oarsmen at Chatou
20" x 16"
+ Multiple Sizes
Price: $41.99
Large Nude, 1907 Fine Art Print
Large Nude, 1907
24" x 18"
+ Multiple Sizes
Price: $23.99
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17 Items
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The French Impressionist ideals of outdoor scenes depicted with sparkling color and light are embodied in the early works of Renoir (25 February 1841 – 3 December 1919) who began his career as a painter in a porcelain factory. His later works, particularly his formal figure paintings of women, show a more disciplined approach and a break from contemporary themes to more timeless subjects. In 1862, he entered the studio of Gleyre and formed lasting friendships with other Impressionists, particularly Claude Monet. He endured much hardship early in his career but achieved success as a portraitist in the late 1870s. After visiting Italy in 1881-82, he abandoned the Impressionist ideal and developed a softer and more supple kind of handling which is evident in his pictures of young girls in softly colored settings. He is perhaps the best-loved of all the Impressionists for his cheerful subject matter - pretty children, flowers, lovely women - and their instant appeal. He once wrote, "Why shouldn't art be pretty? There are enough unpleasant things in the world." As a great worshiper of the female form, he mused, "I never think I have finished a nude until I think I could pinch it."
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