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Traditional Pierre-Auguste Renoir Wall Art

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At the Concert Fine Art Print
At the Concert
10" x 12"
+ Multiple Sizes
Price: $22.99
Roses in a Vase, c.1890 Fine Art Print
Roses in a Vase, c.1890
11" x 8"
+ Multiple Sizes
Price: $11.99
Portrait of a woman Fine Art Print
Portrait of a woman
9" x 12"
+ Multiple Sizes
Price: $11.99
Madame de Bonnieres, 1889 Fine Art Print
Madame de Bonnieres, 1889
9" x 12"
+ Multiple Sizes
Price: $11.99
Dahlias Fine Art Print
Dahlias
11" x 14"
+ Multiple Sizes
Price: $25.99
The Cahen d'Anvers Girls Fine Art Print
The Cahen d'Anvers Girls
9" x 12"
+ Multiple Sizes
Price: $11.99
Duex jeunes filles lisant Fine Art Print
Duex jeunes filles lisant
10" x 12"
+ Multiple Sizes
Price: $22.99
Vase of Roses Fine Art Print
Vase of Roses
9" x 12"
+ Multiple Sizes
Price: $21.99
Bouquet of Chrysanthemums, c.1884 Fine Art Print
Bouquet of Chrysanthemums, c.1884
9" x 12"
+ Multiple Sizes
Price: $21.99
Idylle (Lovers) Fine Art Print
Idylle (Lovers)
10" x 12"
+ Multiple Sizes
Price: $22.99
Algerian Woman, 1870 Fine Art Print
Algerian Woman, 1870
9" x 12"
+ Multiple Sizes
Price: $11.99
The Little Gleaner, 1888 Fine Art Print
The Little Gleaner, 1888
9" x 12"
+ Multiple Sizes
Price: $11.99
Young Woman Reading, c.1873 Fine Art Print
Young Woman Reading, c.1873
9" x 12"
+ Multiple Sizes
Price: $11.99
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15 Items
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The French Impressionist ideals of outdoor scenes depicted with sparkling color and light are embodied in the early works of Renoir (25 February 1841 – 3 December 1919) who began his career as a painter in a porcelain factory. His later works, particularly his formal figure paintings of women, show a more disciplined approach and a break from contemporary themes to more timeless subjects. In 1862, he entered the studio of Gleyre and formed lasting friendships with other Impressionists, particularly Claude Monet. He endured much hardship early in his career but achieved success as a portraitist in the late 1870s. After visiting Italy in 1881-82, he abandoned the Impressionist ideal and developed a softer and more supple kind of handling which is evident in his pictures of young girls in softly colored settings. He is perhaps the best-loved of all the Impressionists for his cheerful subject matter - pretty children, flowers, lovely women - and their instant appeal. He once wrote, "Why shouldn't art be pretty? There are enough unpleasant things in the world." As a great worshiper of the female form, he mused, "I never think I have finished a nude until I think I could pinch it."
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