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Barges on the Seine, c.1869
24" x 18" Fine Art Print
+ Multiple Sizes
Price: $23.99
Monet Painting in his Garden at Argenteuil, c.1873
14" x 11" Fine Art Print
+ Multiple Sizes
Price: $25.99
Luncheon of the Boating Party
32" x 24" Fine Art Print
Price: $52.99
Landscape at Les Collettes, 1910
24" x 18" Fine Art Print
+ Multiple Sizes
Price: $23.99
Alphonsine Fournaise
24" x 18" Fine Art Print
+ Multiple Sizes
Price: $23.99
Landscape at Wargemont, 1879
24" x 18" Fine Art Print
+ Multiple Sizes
Price: $23.99
The banks of the Seine at Argenteuil, 1880
24" x 18" Fine Art Print
+ Multiple Sizes
Price: $23.99
Yvonne and Christine Lerolle at the piano, 1897
24" x 18" Fine Art Print
+ Multiple Sizes
Price: $23.99
Young Woman Reading an Illustrated Journal, c.1880-81
24" x 18" Fine Art Print
+ Multiple Sizes
Price: $23.99
Study for the Large Bathers, 1885-1901
24" x 18" Fine Art Print
+ Multiple Sizes
Price: $23.99
Luncheon of the Boating Party
19" x 13" Fine Art Print
Price: $24.99
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The French Impressionist ideals of outdoor scenes depicted with sparkling color and light are embodied in the early works of Renoir (25 February 1841 – 3 December 1919) who began his career as a painter in a porcelain factory. His later works, particularly his formal figure paintings of women, show a more disciplined approach and a break from contemporary themes to more timeless subjects.
In 1862, he entered the studio of Gleyre and formed lasting friendships with other Impressionists, particularly Claude Monet. He endured much hardship early in his career but achieved success as a portraitist in the late 1870s. After visiting Italy in 1881-82, he abandoned the Impressionist ideal and developed a softer and more supple kind of handling which is evident in his pictures of young girls in softly colored settings.
He is perhaps the best-loved of all the Impressionists for his cheerful subject matter - pretty children, flowers, lovely women - and their instant appeal. He once wrote, "Why shouldn't art be pretty? There are enough unpleasant things in the world." As a great worshiper of the female form, he mused, "I never think I have finished a nude until I think I could pinch it."