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Classical Pierre-Auguste Renoir Wall Art

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19 Items
1
La Seina a Asniers Fine Art Print
La Seina a Asniers
40" x 28"
+ Multiple Sizes
Price: $90.99
Dahlias Fine Art Print
Dahlias
11" x 14"
+ Multiple Sizes
Price: $25.99
Flowers, 1913-19 Fine Art Print
Flowers, 1913-19
18" x 24"
+ Multiple Sizes
Price: $23.99
The Esterel Mountains Fine Art Print
The Esterel Mountains
32" x 28"
+ Multiple Sizes
Price: $79.99
Geraniums and Cats, 1881 Fine Art Print
Geraniums and Cats, 1881
18" x 24"
+ Multiple Sizes
Price: $24.99
GRANDE VASO DI FIORI Fine Art Print
GRANDE VASO DI FIORI
16" x 20"
+ Multiple Sizes
Price: $41.99
Luncheon of the Boating Party, c.1881 Fine Art Print
Luncheon of the Boating Party, c.1881
27" x 20"
+ Multiple Sizes
Price: $58.99
Renoir's house at Essoyes, 1906 Fine Art Print
Renoir's house at Essoyes, 1906
24" x 18"
+ Multiple Sizes
Price: $24.99
Roses in a Sevres vase Fine Art Print
Roses in a Sevres vase
18" x 24"
+ Multiple Sizes
Price: $24.99
Tulips in a Vase Fine Art Print
Tulips in a Vase
11" x 14"
 
Price: $19.99
Flowers in a Vase, c. 1866 Fine Art Print
Flowers in a Vase, c. 1866
11" x 14"
+ Multiple Sizes
Price: $25.99
Roses in a Vase, c.1890 Fine Art Print
Roses in a Vase, c.1890
24" x 18"
+ Multiple Sizes
Price: $24.99
The Farm at Les Collettes, c.1915 Fine Art Print
The Farm at Les Collettes, c.1915
24" x 18"
+ Multiple Sizes
Price: $23.99
Roses, 1915 Fine Art Print
Roses, 1915
24" x 18"
+ Multiple Sizes
Price: $24.99
Bouquet of Chrysanthemums, c.1884 Fine Art Print
Bouquet of Chrysanthemums, c.1884
18" x 24"
+ Multiple Sizes
Price: $50.99
Landscape at Wargemont, 1879 Fine Art Print
Landscape at Wargemont, 1879
24" x 18"
+ Multiple Sizes
Price: $23.99
Vase of Tulips and Anemones, c.1895 Fine Art Print
Vase of Tulips and Anemones, c.1895
37" x 44"
+ Multiple Sizes
Price: $65.99
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The French Impressionist ideals of outdoor scenes depicted with sparkling color and light are embodied in the early works of Renoir (25 February 1841 – 3 December 1919) who began his career as a painter in a porcelain factory. His later works, particularly his formal figure paintings of women, show a more disciplined approach and a break from contemporary themes to more timeless subjects. In 1862, he entered the studio of Gleyre and formed lasting friendships with other Impressionists, particularly Claude Monet. He endured much hardship early in his career but achieved success as a portraitist in the late 1870s. After visiting Italy in 1881-82, he abandoned the Impressionist ideal and developed a softer and more supple kind of handling which is evident in his pictures of young girls in softly colored settings. He is perhaps the best-loved of all the Impressionists for his cheerful subject matter - pretty children, flowers, lovely women - and their instant appeal. He once wrote, "Why shouldn't art be pretty? There are enough unpleasant things in the world." As a great worshiper of the female form, he mused, "I never think I have finished a nude until I think I could pinch it."
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