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Modern Wassily Kandinsky Wall Art

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14 Items
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Launelinie Fine Art Print
Launelinie
16" x 12"
+ Multiple Sizes
Price: $29.99
Houses on a Hill, 1909 Fine Art Print
Houses on a Hill, 1909
16" x 12"
+ Multiple Sizes
Price: $29.99
Untitled 1916 Fine Art Print
Untitled 1916
16" x 24"
+ Multiple Sizes
Price: $45.99
Heavy Red Fine Art Print
Heavy Red
12" x 16"
+ Multiple Sizes
Price: $29.99
La Grande Piazza a Kiev Fine Art Print
La Grande Piazza a Kiev
32" x 24"
+ Multiple Sizes
Price: $71.99
Impression III, c.1911 Fine Art Print
Impression III, c.1911
30" x 24"
 
Price: $52.99
Impression III, Concert Fine Art Print
Impression III, Concert
24" x 18"
+ Multiple Sizes
Price: $49.99
Merry Structure Fine Art Print
Merry Structure
18" x 26"
+ Multiple Sizes
Price: $51.99
White Oval, 1919 Fine Art Print
White Oval, 1919
15" x 13"
+ Multiple Sizes
Price: $29.99
Farbstudie Quadrate, c.1913 Fine Art Print
Farbstudie Quadrate, c.1913
32" x 24"
 
Price: $52.99
Ladies in Crinolines, 1909 Fine Art Print
Ladies in Crinolines, 1909
16" x 12"
+ Multiple Sizes
Price: $30.99
Zersetzte Spannung Fine Art Print
Zersetzte Spannung
24" x 33"
+ Multiple Sizes
Price: $73.99
Komposition X c1939 Fine Art Print
Komposition X c1939
39" x 27"
+ Multiple Sizes
Price: $89.99
Village Church in Riegsee, Bavaria, 1907 Fine Art Print
Village Church in Riegsee, Bavaria, 1907
16" x 12"
+ Multiple Sizes
Price: $30.99
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14 Items
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Wassily Kandinsky, (4 December 1866 – 13 December 1944) trained and practiced as a lawyer in his native Russia, but in 1895 he saw Monet's "Haystacks" at a French Impressionist exhibition in Giverny. He was so inspired, he moved to Munich to study art in 1897. After successful avant-garde exhibitions, he founded the influential Munich group Der Blaue Reiter (The Blue Rider, 1911-14) and began to paint in a completely abstract style. Also an accomplished musician, Kandinsky embraced the concept that color and musical harmony are linked. He used color in a highly theoretical way, associating tone with timbre, hue with pitch and saturation with the volume of sound. He claimed that when he saw color he heard music. His artwork contained greater abstraction than the Impressionists and it cannot be overstated how much music influenced his paintings, even down to the names of his paintings: Improvisations, Impressions and Compositions. His forms evolved from fluid and organic to geometric and finally, to pictographic. His most enthusiastic supporter was Solomon R. Guggenheim, founder and benefactor of the Guggenheim Museum in New York.
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