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Framed Albrecht Durer Wall Art

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12 Items
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Landauer Altarpiece: King David, 1511, Detail Fine Art Print
Landauer Altarpiece: King David, 1511, Detail
22" x 29"
+ Multiple Sizes
Price: $254.99
Garland of Roses Altarpiece, 1600 Fine Art Print
Garland of Roses Altarpiece, 1600
26" x 23"
+ Multiple Sizes
Price: $246.99
The Festival of the Rosary, 1506 Fine Art Print
The Festival of the Rosary, 1506
27" x 23"
+ Multiple Sizes
Price: $248.99
Study of a lily, 1526 Fine Art Print
Study of a lily, 1526
27" x 23"
+ Multiple Sizes
Price: $251.99
St.Christopher carrying the Infant Christ, 1511 Fine Art Print
St.Christopher carrying the Infant Christ, 1511
24" x 24"
+ Multiple Sizes
Price: $235.99
Madonna and Child Fine Art Print
Madonna and Child
23" x 28"
+ Multiple Sizes
Price: $255.99
Virgin and child holding a half-eaten pear, 1512 Fine Art Print
Virgin and child holding a half-eaten pear, 1512
23" x 28"
+ Multiple Sizes
Price: $256.99
Wing of a Blue Roller, 1512 Fine Art Print
Wing of a Blue Roller, 1512
24" x 23"
+ Multiple Sizes
Price: $238.99
Albrecht Durer's Father, 1497 Fine Art Print
Albrecht Durer's Father, 1497
23" x 29"
+ Multiple Sizes
Price: $259.99
The Adoration of the Shepherds Fine Art Print
The Adoration of the Shepherds
23" x 29"
+ Multiple Sizes
Price: $257.99
The Festival of the Rosary, 1506 - with crown Fine Art Print
The Festival of the Rosary, 1506 - with crown
29" x 18"
+ Multiple Sizes
Price: $214.99
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"In Venice, I am treated as a nobleman... Here I really am somebody, whereas at home I am just a hack," lamented Albrecht Durer (21 May 1471 – 6 April 1528) about Germany's medieval conception of artists. Italian Renaissance ideas first came north in a powerful way through Durer, who trained in Nuremberg as a goldsmith, painter, and woodcutter. After visiting Venice in 1495, Durer intensely studied mathematics, geometry, Latin, and humanist literature. He expressed himself primarily through prints; painting was less profitable, and Lutheran church reformers disdained most religious artworks. So, Durer's paintings are few and more traditional than his amazing engravings and phenominal woodcuts. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Northern Renaissance ever since. In 1498 he published the first book entirely produced by an artist, "The Apocalypse," fourteen woodcuts illustrating the Book of Revelation. Its vivid imagery, masterly draftsmanship, and complex iconography established his reputation and revolutionized the potential of that medium.
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