Flaming June fine art print by Lord Frederic Leighton at FulcrumGallery.com

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Flaming June

Lord Frederic Leighton

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Additional Information About this Piece

Description:
One of Leighton's best known and most widely reproduced works, "Flaming June" is an exploration in colour and form. Leighton's most abandoned tribute to beauty had been anticipated two decades earlier in the reclining figure in "Summer Moon", as well as in "Captive Andromache" and is also a possible sequel to his "Summer Slumber" of 1894. Another possible and more contemporary source was "Hope" by G. F. Watts which had been exhibited at the Grosvenor Gallery in 1886. According to Leighton, however, the monumental form, which recalls Michelangelo's "Night" in the Medici Chapel in Florence, was not intentionally arranged but occurred naturally when the fatigued model was resting. The condensed composition was the result of many frenzied prepartory studies. There is no apparent subject matter; this is simply a depiction of a young woman sleeping in brilliant sunlight. Through the unifying curtain of luminous glow, we glimpse the sea with the sun's reflection on it. However all extraneous detail was reduced so that the spector would concentrate on the confined figure, modelled by Dorothy Dene. Despite the claustrophobic setting, the figure has a certain passivity in the luxuriant ambience. Vibrant orange diaphanous drapery emerges like flames, erupting over the woman's figure and illuminating parts of her face, neck, forearms and foot. Leighton's statements in his Academy notebooks anticipated the execution of "Flaming June". "A deep slow cumulative execution ... is suitable only for subjects of repose ... all the qualities of a work of art must be struck in the key and appeal to the order of sensation ... suffusion of colour (saturation) gives idea of an overmastering impulse."

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