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Description:
The provenance of this painting cannot be traced from 1870. Brought by a Mr Moreby in 1864, "The Painter's Honeymoon" was not exhibited at the Royal Academy until 1866. The cause of this is unknown but perhaps the painting had too many personal connotations for the introverted and solitary Leighton. In contrast to the viraginous women in his classical paintings, here Leighton has captured the intimacy, affection and serenity of companionship. The mood recalls some Pre-Raphaelite paintings, such as Michael Frederick halliday's "The Measure for the Wedding Ring" and John Everett Millais' "The Huguenot". The figures are captivated by their love for each other, and this is emphasized by the lack of accessories of background detail. The same models appeared in Leighton's painting "Golden Hours", also executed and exhibited in 1864.
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You are viewing a museum quality fine-art print. The prints we carry are produced using either the lithographic or serigraphic printing process and are printed on high quality archival acid free paper. Most prints are on a thick (120 pound or higher) stock of paper. Each print is of the highest museum art print reproduction quality and are supplied by the world's leading art publishers. These prints rival any detailed reproduction from their originals and are geared towards the discerning eye of the particular art collector.
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We're convinced that you will be more than happy with the quality of your artwork when it arrives. All of our products, including custom framed art, have a 30 day, no questions asked, return policy. If you are not satisfied with your purchase for any reason, you may return it to us within 30 days of receipt for a full refund or replacement, less shipping charges.
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